The publication does not come without its challenges. “We sold issues of Silk Road, spoke with writers we published, solicited writers to send their work to us, attended craft talks, and spoke with other magazines to see how their approaches differed from our own,” he said. This led to invaluable opportunities for the publication as getting to attend a conference in any year is rare for them. “Additionally, our team attended AWP Annual Conference, The Association of Writers and Writing Programs, to do some important networking.” “Students in the class are tasked with writing social media posts and sharing the word about Silk Road to help boost the number of submissions we receive,” he said. Sikes also mentions other ways the Silk Road has connected with authors. “We pop up on the listing of magazines accepting work when writers scroll through the discovery feed.
Slik road spanish translation professional#
“Submittable is the professional standard for literary magazines to collect submissions and to accept or decline them,” said Sikes. It also provides Silk Road a way to connect with more authors. To submit a piece, authors go through an online system called “Submittable,” which allows the Silk Road team to easily look through submissions. “, we may just have to accept some poems for the issue after the current one we’re working on due to the quantity of currently accepted poems.” “In general, we do try to balance out pieces within each genre, but poetry always tends to be the most prominently featured due to its shorter length and the quality of those particular submissions,” said Sikes. “We got numerous poems submitted and a lot demonstrated masterclass writing,” said Dalton Sikes, one of the managing editors for the Silk Road and a senior who is majoring in creative writing and literature. Additionally, this year’s issue will feature an unusual amount of poetry. This year, Mitra said, Silk Road Review has gotten “work that explores intergenerational trauma, connections, and joy, the families we are born into and chosen families, and reclamation of individual and collective identities,” which connects with the publication’s mission of diversity. Issues for the Silk Road don’t begin with a theme, but one emerges.
“While we seek historically marginalized and ‘unheard’ voices, we are drawn to all work that explores both human differences and togetherness, the richness of individual cultures, the myriad of ways of being human in this world, and the importance of empathy, inclusion, and humanization,” said Mitra. While Silk Road is open to publishing a wide range of voices, Mitra mentions that work from authors with immigrant and migrant backgrounds and those in the LGBTQIA+ community are spotlighted in the magazine. Keya Mitra, editor-in-chief for the Silk Road and the Director of Creative Writing here at Pacific. “Our primary mission is to publish marginalized and ‘unheard’ voices,” explained Dr. By the end of this process, a curated issue is produced, including works from both Pacific alumni and those who haven’t the faintest affiliation with the university. The editorial team, which includes students in the Literary Magazine Production class listed as ENGW 466, sorts through these submissions throughout the school year. The opportunities and challenges facing Pacific’s literary magazineĪnnually, the Silk Road Review has received dozens of submissions from authors around the world in poetry, fiction, and nonfiction.
0 kommentar(er)
